Super Phat Mod by Keeley
Many say the Phat Mod is their favorite tone from a pedal. It’s that natural break-up that just feels good and lets you express yourself. The dynamics make it feel alive and part of your fingers. That’s the reason the modified pedal has stayed on people’s boards for nearly 15 years. The Keeley Super Phat Mod is our famous mod now perfected with amazing sounding JFETs that emulate old tube amps in a unique way.
was last modified: November 28th, 2018 by Patrick O'Brien
Bender Fuzz by Tomkat Pedals
The bender is my take on the sola sound tonebender professional mark II. I’ve stayed true to the original circuit with a few modifications. I changed some capacitor values for more low end response, used nos germanium transistors I got from the ukraine, and added an external bias knob for the last transistor in the circuit.
was last modified: March 20th, 2018 by Patrick O'Brien
Monterey Rotary Fuzz Vibe by Keeley Electronics
The Axis For A Bold New Tone
With the Keeley Monterey you take one step back in time and two steps forward. The Monterey is a surrealistic envelope of neo-vintage effects. It combines classic sounds with new interpretations to create a modern timbre and audio spectrum for guitarists.
The Keeley Monterey Rotary Fuzz Vibe has a vintage fuzz, rotary speaker, vibe, harmonic and auto wah, an octave up or octave down, as well an expression control to allow you to create a rich array of new and newer sounds.
was last modified: April 7th, 2017 by Patrick O'Brien
The Mod Workstation by Keeley Electronics
The Mod Workstation gives you eight of Keeley’s incredible modulation effects.
**This pedal was scratched while being handled. For that reason we have discounted this specific pedal only. It is new and unused asides from a small (1/4”) scratch. Final sale.
was last modified: November 14th, 2018 by Patrick O'Brien
Twin Twelve by JHS Pedals
The Silvertone brand, originally sold by Sears in department stores, used to be a pawn shop special. The amps used to be so common in hawk shops, they may as well have been considered currency.
It wasn't until recently, though, that Silvertone prices shot through the ceiling. Pawn shops that had previously sold the amps and cabinets for pennies on the dollar are now offering up the whole kit and caboodle for close to a thousand dollars. What's more, the amps are notably unreliable, so most on the used market need servicing, and those that come pre-serviced are sold at a premium! What's a guitarist to do?
was last modified: November 7th, 2018 by Patrick O'Brien
Alpine by JHS Pedals
In a world full of reverb pedals we are proud to offer up a highly tweak-able, versatile, inspiring and cost effective solution for any situation your gig might throw at you. The heart of the Alpine's design is the idea that you can have a reverb pedal that is straight forward, easy to use, but also extremely powerful in its functions all while still very approachable without requiring a degree in computer engineering to dial in a great sound.
was last modified: December 4th, 2018 by Patrick O'Brien
Oxblood, The Voice of Rock n Roll.Quad Mode – Adjustable Bass + Gain
The New Voice Of Rock and Roll. When inspiration hits, you need the voice to proclaim it. When you need that voice, count on the Keeley Oxblood Overdrive to be your beast of burden.
The Keeley Oxblood Overdrive is our response to everyone cloning the “Mythical Beast” pedal. We decided to build an original design. We wanted to build a new circuit that let players blend from perfectly clean to amp-crushing roar. We wanted that impossibly huge and focused midrange that makes any guitar… Strat, Paul, Tele, sound incredible. We knew we could do it our way and offer you more tone. So we designed this pedal over the course of a few days to outdo the old pedal. I am confident we not only drew blood, we crafted a #killer
was last modified: October 6th, 2017 by Patrick O'Brien
Muffuletta by JHS Pedals
In 1967 the legendary Mike Matthews started experimenting with circuits for the electric guitar, and by early 1969 he had created a circuit that has become one of the most legendary, collected and mythical pedals in the history of guitar effects. With 30+ versions made throughout its almost half a century lifetime, the Big Muff Distortion/Fuzz has personally pioneered the sounds of some of the biggest bands and musical movements in history. The Muffuletta is our tribute to the legend and story of one of the greatest pedals ever invented. Let’s take a look at what makes the Muffuletta the ultimate recreation of this circuit in a way that has never been done before.
The heart of the Muffuletta is the fact that it replicates five (yes five) classic Big Muff circuits from years gone by as well as a new and original JHS version for a total of six Muff models. All executed without any digital signal processing or digital emulation. When you choose a model, you are achieving analog tone that uses real components and values found in the original units. We have selected our favourite classic versions from the pages of history and made them available in one small format pedal that is easy to understand, operate and do what it should do… replicate rare, expensive, mythical and sought after versions of this circuit with ease.
was last modified: November 7th, 2018 by Patrick O'Brien
Angry Charlie by JHS Pedals
The Angry Charlie has become a staple of the JHS line over the years. In the 3, we set out to keep everything that has made it a star in place while adding some tweaks for even greater flexibility and usability. The V3 is a force to be reckoned with in the high gain pedal territory. It convincingly and accurately breathes JCM800 tones with ease.
was last modified: May 9th, 2017 by Patrick O'Brien