Deep Six Compressor by Walrus Audio
The Deep Six is a true bypass studio-grade compressor in stomp box form, inspired by the performance of the Universal Audio 1176 with the simplicity of the Ross and Dynacomp. Offering a Level, Sustain, Attack, and Blend control, the Deep Six will give you unmatched versatility at a price you can afford.
was last modified: April 6th, 2017 by Patrick O'Brien
EHX Soul Food 'Meat & 3' Mod by JHS Pedals
Electro Harmonix recently released the Soul Food, which is a very accurate reproduction of the Klon. We add a 3-way clipping toggle that gives you stock EHX clipping, open clipping, and we added true Klon style germanium clipping which isn't present in the stock Soul Food pedal. Lastly, we also added a bass contour "Meat" knob to really make this pedal a tone shaping tool.
These modifications retain the integrity of the original Klon tones while giving you a few extra tone shaping abilities. Centaur mystery meat never tasted so good!
was last modified: June 13th, 2017 by Patrick O'Brien
Hotrod Clyde Wah (Special Edition) by Joe Gagan Exclusive to Leprechaun FX! A special "Canadian Tribute" red and white limited-edition of Joe Gagan's famous Hotrod Clyde wah pedal made specifically for our shop. Only six were ever made - so once they are gone, they're gone!
Best value in true vintage-style wah tone - compare and see!
Real 1978 stack of dimes inductor, vintage and new parts selected for super 60s voxey tone - with a hotrod EDGE. The watery, fluttery vocal tones we all love on those classic records. Works exceedingly well for clean sounds and takes distortion of all types very well.
Super low parts count and vintage low gain transistors for low hiss and idle noise. Handwired by the Joe Gagan.
No buffers in OR out, for a true vintage experience. (Buffers of any type on the input or output do not get the simple 2 transistor response and tone that 60s wahs had in our experience.)
was last modified: February 15th, 2018 by Patrick O'Brien
Ernie Ball VP Jr Active/No Loss Mod by JHS Pedals
The Ernie Ball volume pedal is one of the most used pedals out there, but surprisingly it has BIG issues. We exposed this in our Volume Pedal Woes (Active/No Loss Mod) article and have developed a mod that cures all the issues making this volume an awesome tool for more than just swells!
We install our Buffered Splitter circuit to give you two truly isolated outputs for tuner and mono out. This eliminates ALL of the noise, tone loss, and removes the improper load on your signal. For those of you who want to use the tuner out function, this is a must have fix. The biggest benefit of this mod is that it makes your EB Volume active and buffered with our buffer circuitry. This will give you the best clean tone you may have ever had because it will drive your long path to your amp. The pedal in its stock condition is drastically hurting your tone (even when you're not using the tuner out).
Because we install our active buffered circuitry, you will now need to power the unit. Use any standard 9v DC Negative power supply and your good to go! This pedal consumes less than 100mA. Works on all passive EB Volumes.
was last modified: May 9th, 2017 by Patrick O'Brien
Angry Charlie by JHS Pedals
The Angry Charlie has become a staple of the JHS line over the years. In the 3, we set out to keep everything that has made it a star in place while adding some tweaks for even greater flexibility and usability. The V3 is a force to be reckoned with in the high gain pedal territory. It convincingly and accurately breathes JCM800 tones with ease.
was last modified: May 9th, 2017 by Patrick O'Brien
Moonshine by JHS Pedals
*** This version has been discontinued by JHS. We will stock the new version soon! ***
Are you looking for an overdrive that is not transparent and adds its own character and attitude? The Moonshine is for you. Our Moonshine Overdrive is a highly unique and massively tweaked version of the most famous overdrive ever created and housed in a little green enclosure. Blues, rock, country, jazz, and even hardcore/metal players will find this is an indispensable tool for shaping and creating unique mid heavy tones for almost any need.
Just like our SuperBolt pedal, the Moonshine uses an internal 9v to 18v charge pump that allows it to run on normal 9v but converting it internally to 18v for an enormous amount of headroom, added low-end and more overall punch.
We wouldn’t be surprised if this is the most girthy, thick overdrive you have ever plugged into. If you’re a fan of stacking overdrives, you’ll love putting this in front of or behind your favorite drive, booster, or fuzz. The Moonshine delivers on any style amp, easily producing anything from SRV classic Stratocaster/Fender amp tones with class to huge “wall of rock” The Edge-style force through a Vox. On another note, you might find a few Dumble-esque lead settings that will have you feeling like you saved a cool $100,000 in search of that sacred tone. Last but not least, it kills on bass guitar, the reason it was originally designed.
was last modified: September 13th, 2017 by Patrick O'Brien
Superbolt V2 by JHS Pedals
When we released the Superbolt in 2012, we never dreamed that it would become one of the most recognized and distinguished pedals in our history. With V2, we have kept everything that has made it a go-to drive pedal across the globe and simply expanded its reach of versatility and options.
was last modified: November 24th, 2017 by Patrick O'Brien
Morning Glory V4 by JHS Pedals
Over the years the Morning Glory is undoubtedly our most known and praised overdrive pedal. It has won more awards and received more accolades than any other JHS pedal. It was created in 2009 out of a need for an overdrive pedal that simply took a guitar and amplifier’s tone to the next level without adding strong mid frequencies or any other characteristic that came along with the Tubescreamer style circuits on the market. Its goal was, and still is, to be incredibly easy to use and to be the most transparent overdrive out there. Even though the "transparent" buzzword is a bit overused all these years later, the meaning and application still stands as the best way to describe the magic that the Morning Glory brings to your rig. Let's take a look at what improvements the Morning Glory V4 has to offer.
Looking at the controls, we have Volume, Drive, Tone and Gain. The Volume control acts as a master output level control. One improvement of the V4 is that we have added 2x the available headroom to this control if compared to the V3. The Drive control dials in overdrive as you turn clockwise. As this control increases, the treble content is also slightly increased. The Tone control is a basic high-pass filter, and as you turn clockwise, the tone becomes brighter. As you turn this control to the left, it becomes darker. The Gain toggle activates a new boost mode. This mode is overall more powerful, has more low-end content, and when the drive knob is in its upper region, it creates a more high gain tone than ever available in any variation of the Morning Glory. This toggle is indicated by the status LED turning Red and can be remotely activated by way of the “Remote Gain" 1/4" jack located on the upper right side of the pedal. This ability enables the Gain toggle be used in an on-the-fly application for live performance. Set your normal MG tone and instantly switch the Red Remote for a secondary tone with using hardly any space on your board at all. The Bright Cut toggle is now located on the side of the pedal, still easily accessible but out of the way. This switch is great for rigs that lean a little on the bright side or when you are using the MG as a higher gain drive sound. The input jack is located on the lower right side and the output jack is on the left side. The MG runs on standard 9V DC supply only.
Whether you play a Stratocaster or a Les Paul, you will instantly recognize how the Morning Glory is touch sensitive and keeps 100% of your instrument’s feel in place. From "Little Wing-ish" chime to full chord rock & roll, the Morning Glory is hard to beat. If you are one of the thousands who have made the Morning Glory a part of your rig or a first-time interest, the Morning Glory V4 offers all the right features, tones, and ease of use that you are looking for in a primary overdrive pedal.
This pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2"x4.3"x1.5".
was last modified: August 9th, 2018 by Patrick O'Brien
Your guitar tone is like the elements of space after the big bang, floating through a vacuum in disharmony, their potential infinite but unrealized. Realize their potential and bring your tone into harmony with the Elements, a pedal that delivers overdrive, distortion and equalizer, and works with guitars, basses and electronic instruments.
Made in Canada.
was last modified: February 28th, 2019 by Patrick O'Brien
In the outer recesses of space lays Zeta-6 quadrant's largest junkyard. Here, gravity-challenged junkers float about rubbing their rusted hulls together, while the sounds of these frictions reverberate into the worlds around them. Want your tone to sound like two abandoned spaceships crashing in the vacuum of space, their oxidized wings gnashing together and disintegrating into dust? With a wide gain range, the Frazz Dazzler pedal will frazzle dazzle you with its mean-spirited and aggressive fuzz whether you play guitar, bass or an electronic instrument.
Made in Canada
was last modified: January 16th, 2019 by Patrick O'Brien
The gravity wells of the Alpha-9 quadrant are the universe's deepest, their ability to expand matter legendary throughout the stars as powerful and unyielding. It is from these gravity wells that Dr. Scientist's Reverberator pedal takes its influence: with nine different reverb effects you can go from the deepest, wettest recesses of space to a tone-enhancing small room. Use the mix knob to blend your wet, reverberating signal with your analog dry signal, control the gain and rate of decay, have control over all aspects of your tone. Don't be caught cruising the cosmos without this kind of power.
Made in Canada
was last modified: April 4th, 2017 by Patrick O'Brien
Less is more with this simple, original design. Handmade from JFETs matched to specs, this versatile pedal will treat your pickups with the respect they deserve. In return, they’ll thank you with some of them sweet tones.
There are combinations of settings that will put your setup right on the edge of breaking up, allowing you to go from clean to saturated with only variations in playing dynamics.
Made in Quebec
was last modified: December 29th, 2018 by Patrick O'Brien