Darkglass Electronics Microtubes B3K V2
Microtubes B3K V2 by Darkglass Electronics
You can guarantee that this pedal will deliver defined and powerful saturation in an intuitive format.
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Darkglass Electronics Microtubes B3K V2
With the Microtubes B3K v2 you get all the features of the original, with the ability to restore the mids for natural character. The attack switch has been replaced by the tone knob, giving much more control of the higher harmonic content (3 kHz to 8 kHz). The grunt switch is still present, as you would expect. The addition comes in the form of a mid boost, giving you a subtle 6dB boost from 300 Hz to 1 kHz to help you cut through a bit more.
Fundamentally the Microtubes B3K is the same pedal we designed nearly a decade ago, aimed to give you a perfect combination of brutality and clarity. You can guarantee that this pedal will deliver defined and powerful saturation in an intuitive format.
Mixes the clean input signal with the overdriven signal. The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob, allowing for fine control of the blend ratio.
Controls the high frequency content of the sound. A variable low pass filter from 3kHz (ccw) to 8kHz (cw).
Sets the volume of the overdriven signal.
Sets the amount of saturation in the overdriven signal.
When engaged provides a massive low end boost to really thicken your sound.
Gives a subtle 6dB boost from 300 Hz to 1kHz to help you cut through a bit more.
11.3×7.5 cm (4.45×2.95 in)
The Microtubes B3K v2 has a current draw of 20mA. Only use a regulated 9V DC adapter with a center-negative plug. Due to ecological reasons it does not accept batteries. Unregulated power supplies and/or higher voltages may result in suboptimal noise performance and even damage your unit, voiding the warranty.
Returns and Exchanges
There are a few important things to keep in mind when returning a product you purchased. You can return your purchase within 14 days for full refund. After this return period, you have an additional 14 days to exchange your purchase or return for store credit. Items must be returned with original packaging in NEW condition. Some conditions apply. See FAQ for full details.
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Free Delivery is available for most orders over $200 in Canada before taxes*. Our default shipping is Canada Post Regular Parcel which includes delivery confirmation. Delivery takes on average 4-6 business days in Canada. You may select an alternate shipping method for an additional fee at the checkout stage. *Amplifiers do not qualify for free shipping. Our apologies, but those things weigh a ton.
For orders to the United States, we use USPS Tracked Packet delivery service, which includes delivery confirmation and takes on average 6 business days. You may select an alternate shipping method for an additional fee at the checkout stage.
International delivery is available. Please email us at firstname.lastname@example.org for a custom quote.
Oh, the Soda Meiser. It's more than just a punny name. For starters, there is a lovely warm and intricate low(er) gain fuzz tone. Great for turning gentle strumming into walls of harmonically dense sound. Turning the gain up will gradually introduce more upper harmonic accents until you are wrangling an upper-octave fuzz beast that's trying to get away from you. Even better! Now the chaos switch is standard! Flip it up to enter the realm of fuzz danger where up is down and rabbits eat dogs.
No.1 is the original KHDK Overdrive. Powered by our unique proprietary circuit, the No.1 was born from years of passion and sweat, experimenting and tweaking with the tones we heard, loved and set out to perfect.
As versatile as it is bold, the No.1 is designed in the spirit of an overdriven tube amp. It features two gain controls which cascade the gain stages for a rich and harmonic overdrive. Gain one controls the first gain stage from a pure clean boost to a naturally compressing overdrive. Gain two shares one knob with the Bass control. It cleverly controls the gain and the low end of the next gain stage, which adds rich harmonics, bottom end and natural tube-like saturation to your tone. It is designed as an active high-pass filter for the second gain stage and will allow you to set the amount of bottom end with precision.
Made in the USA.