Hotcake by Crowther Audio  

Gravitas by Chase Bliss Audio

Morning Glory V4 by JHS Pedals   Over the years the Morning Glory is undoubtedly our most known and praised overdrive pedal. It has won more awards and received more accolades than any other JHS pedal. It was created in 2009 out of a need for an overdrive pedal that simply took a guitar and amplifier’s tone to the next level without adding strong mid frequencies or any other characteristic that came along with the Tubescreamer style circuits on the market. Its goal was, and still is, to be incredibly easy to use and to be the most transparent overdrive out there. Even though the "transparent" buzzword is a bit overused all these years later, the meaning and application still stands as the best way to describe the magic that the Morning Glory brings to your rig. Let's take a look at what improvements the Morning Glory V4 has to offer. Looking at the controls, we have Volume, Drive, Tone and Gain. The Volume control acts as a master output level control. One improvement of the V4 is that we have added 2x the available headroom to this control if compared to the V3. The Drive control dials in overdrive as you turn clockwise. As this control increases, the treble content is also slightly increased. The Tone control is a basic high-pass filter, and as you turn clockwise, the tone becomes brighter. As you turn this control to the left, it becomes darker. The Gain toggle activates a new boost mode. This mode is overall more powerful, has more low-end content, and when the drive knob is in its upper region, it creates a more high gain tone than ever available in any variation of the Morning Glory. This toggle is indicated by the status LED turning Red and can be remotely activated by way of the “Remote Gain" 1/4" jack located on the upper right side of the pedal. This ability enables the Gain toggle be used in an on-the-fly application for live performance. Set your normal MG tone and instantly switch the Red Remote for a secondary tone with using hardly any space on your board at all. The Bright Cut toggle is now located on the side of the pedal, still easily accessible but out of the way. This switch is great for rigs that lean a little on the bright side or when you are using the MG as a higher gain drive sound. The input jack is located on the lower right side and the output jack is on the left side. The MG runs on standard 9V DC supply only. Whether you play a Stratocaster or a Les Paul, you will instantly recognize how the Morning Glory is touch sensitive and keeps 100% of your instrument’s feel in place. From "Little Wing-ish" chime to full chord rock & roll, the Morning Glory is hard to beat. If you are one of the thousands who have made the Morning Glory a part of your rig or a first-time interest, the Morning Glory V4 offers all the right features, tones, and ease of use that you are looking for in a primary overdrive pedal. This pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2"x4.3"x1.5".

Treble Master by Tone Hungry Effects Think of the Treble Master as a tone enhancer, that can be used in a wide variety of ways. You can use it as a standard treble booster to give you unique overdriven tones with clarity and bite, or you can use it much like a standard boost to drive your signal a little more without necessarily emphasizing the highs by adjusting the Shade knob.

Alpine by JHS Pedals In a world full of reverb pedals we are proud to offer up a highly tweak-able, versatile, inspiring and cost effective solution for any situation your gig might throw at you. The heart of the Alpine's design is the idea that you can have a reverb pedal that is straight forward, easy to use, but also extremely powerful in its functions all while still very approachable without requiring a degree in computer engineering to dial in a great sound.

Hotrod Clyde Wah (Special Edition) by Joe Gagan    Exclusive to Leprechaun FX! A special "Canadian Tribute" red and white limited-edition of Joe Gagan's famous Hotrod Clyde wah pedal made specifically for our shop. Only six were ever made - so once they are gone, they're gone!    Best value in true vintage-style wah tone - compare and see!   Real 1978 stack of dimes inductor, vintage and new parts selected for super 60s voxey tone - with a hotrod EDGE. The watery, fluttery vocal tones we all love on those classic records. Works exceedingly well for clean sounds and takes distortion of all types very well.   Super low parts count and vintage low gain transistors for low hiss and idle noise. Handwired by the Joe Gagan.   No buffers in OR out, for a true vintage experience. (Buffers of any type on the input or output do not get the simple 2 transistor response and tone that 60s wahs had in our experience.)

Moonshine by JHS Pedals   *** This version has been discontinued by JHS.  We will stock the new version soon! ***   Are you looking for an overdrive that is not transparent and adds its own character and attitude? The Moonshine is for you. Our Moonshine Overdrive is a highly unique and massively tweaked version of the most famous overdrive ever created and housed in a little green enclosure. Blues, rock, country, jazz, and even hardcore/metal players will find this is an indispensable tool for shaping and creating unique mid heavy tones for almost any need.   Just like our SuperBolt pedal, the Moonshine uses an internal 9v to 18v charge pump that allows it to run on normal 9v but converting it internally to 18v for an enormous amount of headroom, added low-end and more overall punch.   We wouldn’t be surprised if this is the most girthy, thick overdrive you have ever plugged into. If you’re a fan of stacking overdrives, you’ll love putting this in front of or behind your favorite drive, booster, or fuzz. The Moonshine delivers on any style amp, easily producing anything from SRV classic Stratocaster/Fender amp tones with class to huge “wall of rock” The Edge-style force through a Vox. On another note, you might find a few Dumble-esque lead settings that will have you feeling like you saved a cool $100,000 in search of that sacred tone. Last but not least, it kills on bass guitar, the reason it was originally designed.

Horizon by SolidGoldFX The Horizon is a retro style optical compressor designed to deliver silky smooth compression with a blossoming release. An optical compressor relies on a photocell and LED or light source to control the dynamic range of the input signal.