JHS Angry Charlie V3
Angry Charlie by JHS Pedals
The Angry Charlie has become a staple of the JHS line over the years. In the 3, we set out to keep everything that has made it a star in place while adding some tweaks for even greater flexibility and usability. The V3 is a force to be reckoned with in the high gain pedal territory. It convincingly and accurately breathes JCM800 tones with ease.
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The Angry Charlie has become a staple of the JHS line over the years. In the 3, we set out to keep everything that has made it a star in place while adding some tweaks for even greater flexibility and usability. The V3 is a force to be reckoned with in the high gain pedal territory. It convincingly and accurately breathes JCM800 tones with ease. Let’s look at the features.
The Angry Charlie has five controls: Volume, Drive, Bass, Mids and Treble. The Volume control acts as a standard master volume control on an amplifier. Simply turn the control to the right and you are louder, turn it to the left and you are quieter. The Drive control decides the amount of overall dirt/overdrive that enters the signal path. Turn it up for more distortion and down for less. New to the V3 are the Bass, Mids, and Treble controls. To faithfully replicate a Marshall amplifier we felt it was time to incorporate a full Marshall-style tone stack. All three of these controls act as a cut and boost, while at noon they are relatively flat. The right 1/4″ jack is the input, and the left is the output.
If you are a glutton for high gain overdrive/distortion that has a British flavor full of rich bass response, thick mids, and a balanced high-end response, the Angry Charlie V3 will change your life. Well, your gear life.
This pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2″x4.3″x1.5″.
V1 = larger enclosure and 3 controls, no presence control
V2 = changed to current production size enclosure and look. presence control added.
V3 = color changed to red, added 3 band tone stack, 5 controls total
This pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2"x4.3"x1.5".
Returns and Exchanges
There are a few important things to keep in mind when returning a product you purchased. You can return your purchase within 14 days for full refund. After this return period, you have an additional 14 days to exchange your purchase or return for store credit. Items must be returned with original packaging in NEW condition. Some conditions apply. See FAQ for full details.
Ship your item back to Us
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Free Delivery is available for most orders over $200 in Canada before taxes*. Our default shipping is Canada Post Regular Parcel which includes delivery confirmation. Delivery takes on average 4-6 business days in Canada. You may select an alternate shipping method for an additional fee at the checkout stage. *Amplifiers do not qualify for free shipping. Our apologies, but those things weigh a ton.
For orders to the United States, we use USPS Tracked Packet delivery service, which includes delivery confirmation and takes on average 6 business days. You may select an alternate shipping method for an additional fee at the checkout stage.
International delivery is available. Please email us at email@example.com for a custom quote.
Although the new Cream & Onyx Beta sports a fresh look the circuit itself has not been changed and is sonically identical to the original cream and orange version.Made in Canada.
Conceived in the dark depths of Kirk Hammett’s mind and forged in the secret laboratories of KHDK, an iconic circuit has been perfected to achieve its full potential and create the ultimate tone, with all the control in your hands.
No.1 is the original KHDK Overdrive. Powered by our unique proprietary circuit, the No.1 was born from years of passion and sweat, experimenting and tweaking with the tones we heard, loved and set out to perfect.
As versatile as it is bold, the No.1 is designed in the spirit of an overdriven tube amp. It features two gain controls which cascade the gain stages for a rich and harmonic overdrive. Gain one controls the first gain stage from a pure clean boost to a naturally compressing overdrive. Gain two shares one knob with the Bass control. It cleverly controls the gain and the low end of the next gain stage, which adds rich harmonics, bottom end and natural tube-like saturation to your tone. It is designed as an active high-pass filter for the second gain stage and will allow you to set the amount of bottom end with precision.
Made in the USA.