Crayon by JHS Pedals In 1968 a piercing guitar tone came through the speakers on the Beatles “Revolution 1”. This is one of the most famous uses of plugging a guitar straight into a mixing console and creating the now referred to as “Direct-In Distortion". That tone is one of the most recognizable and unique guitar tones of the last 60 years and was one of the inspirations for the JHS Colour Box that we released in May of 2014. We sought to recreate that same compressed bite and fuzz that you get when plugging directly into a British style preamp but in a compact pedal.

Monterey Rotary Fuzz Vibe by Keeley Electronics The Axis For A Bold New Tone With the Keeley Monterey you take one step back in time and two steps forward. The Monterey is a surrealistic envelope of neo-vintage effects. It combines classic sounds with new interpretations to create a modern timbre and audio spectrum for guitarists. The Keeley Monterey Rotary Fuzz Vibe has a vintage fuzz, rotary speaker, vibe, harmonic and auto wah, an octave up or octave down, as well an expression control to allow you to create a rich array of new and newer sounds.

Voyager by Walrus Audio   The Voyager is a gain/preamp overdrive that boasts a full spectrum of tone from any setting on its simple set of controls. From its lowest to highest settings, the Voyager provides a uniquely superb amount of clarity to any style of playing. At lower gain settings, it brightens the signal and adds clarity to each note played. With the gain turned up, the Voyager transforms into a thick overdrive, providing depth to chorded playing while retaining the clarity needed to break through on solos.  Has True Bypass switching.

Violet Muffer Fuzz by Tomkat Pedals It's crunchy but smooth crunchy. Like when you get the all natural smooth peanut butter at the health food store but it still has some crunch to it.

Oxblood Overdrive by Keeley

Minivan Delay by Dwarfcraft Devices

4 Knob Guitar Compressor by Keeley   The award winning industry standard for stomp box compression.   All of the 41,000+ Keeley 4 Knob Compressors have been hand built in the USA. It’s been at home on stages, the studio, churches, as well as bars and bedrooms! The Keeley Compressor was given the Editor’s Pick Award from Guitar Player’s Magazine and recently awarded Reader’s Choice for Stomp Box.   From the original website in 2001: “It is a true audiophile and studio grade compressor with an exotic rack mount quality in a stomp box form. The sound will inspire your creativity.   The Keeley 4 Knob Guitar Compressor has nothing but tone tested components and true bypass switching and the effect switching incorporates a triple pole-double throw switch! The user will marvel at the clean unaffected sound when in the bypass mode and the compressor has an LED for effect indication.   The sound quality of the Keeley comp is unheard of in the stomp-box arena and is only seen in the high-end, very expensive rack-mount or tube equipment.”  

Hyperion by Devi Ever FX (Dwarfcraft Devices Model)   The Hyperion is a new super soldier in the war of art.  It can cut through in a loud, live, band setting. It has a gorgeous sustain, full of harmonics and sizzle.  The gain control is incredibly interactive allowing for intense over the top octave up leads, wooly gainy rhythm, or a very controllable CHUNKA CHUNKA I've come to enjoy quite a bit. We've also made a few tweaks in the guts to bring up the bass power!   The Devi Ever Hyperion is a great lead fuzz pedal that generates tones that are reminiscent of acidy San Francisco sounds of the '60s. A built-in gate effect quiets noise when Hyperion distortion pedal is not receiving signal. If you're looking for a hand made pedal to cover a lot of gainy bases for a very reasonable price, this is it!

Gravitas by Chase Bliss Audio

Morning Glory V4 by JHS Pedals   Over the years the Morning Glory is undoubtedly our most known and praised overdrive pedal. It has won more awards and received more accolades than any other JHS pedal. It was created in 2009 out of a need for an overdrive pedal that simply took a guitar and amplifier’s tone to the next level without adding strong mid frequencies or any other characteristic that came along with the Tubescreamer style circuits on the market. Its goal was, and still is, to be incredibly easy to use and to be the most transparent overdrive out there. Even though the "transparent" buzzword is a bit overused all these years later, the meaning and application still stands as the best way to describe the magic that the Morning Glory brings to your rig. Let's take a look at what improvements the Morning Glory V4 has to offer. Looking at the controls, we have Volume, Drive, Tone and Gain. The Volume control acts as a master output level control. One improvement of the V4 is that we have added 2x the available headroom to this control if compared to the V3. The Drive control dials in overdrive as you turn clockwise. As this control increases, the treble content is also slightly increased. The Tone control is a basic high-pass filter, and as you turn clockwise, the tone becomes brighter. As you turn this control to the left, it becomes darker. The Gain toggle activates a new boost mode. This mode is overall more powerful, has more low-end content, and when the drive knob is in its upper region, it creates a more high gain tone than ever available in any variation of the Morning Glory. This toggle is indicated by the status LED turning Red and can be remotely activated by way of the “Remote Gain" 1/4" jack located on the upper right side of the pedal. This ability enables the Gain toggle be used in an on-the-fly application for live performance. Set your normal MG tone and instantly switch the Red Remote for a secondary tone with using hardly any space on your board at all. The Bright Cut toggle is now located on the side of the pedal, still easily accessible but out of the way. This switch is great for rigs that lean a little on the bright side or when you are using the MG as a higher gain drive sound. The input jack is located on the lower right side and the output jack is on the left side. The MG runs on standard 9V DC supply only. Whether you play a Stratocaster or a Les Paul, you will instantly recognize how the Morning Glory is touch sensitive and keeps 100% of your instrument’s feel in place. From "Little Wing-ish" chime to full chord rock & roll, the Morning Glory is hard to beat. If you are one of the thousands who have made the Morning Glory a part of your rig or a first-time interest, the Morning Glory V4 offers all the right features, tones, and ease of use that you are looking for in a primary overdrive pedal. This pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2"x4.3"x1.5".

Tone Station by Keeley Ten years ago we invented and built a small batch of the Tone Workstation, which then moved into the hands of famous players and collectors. John Mayer recently took two of the originals out on the Dead & Company tour. For 2016 it’s more than a re-release; it’s a completely new, re-engineered workstation. The Keeley team of engineers and designers have upgraded the tone, enhanced the features, and reduced the size to now fit on anyone’s board.  

Angry Charlie by JHS Pedals   The Angry Charlie has become a staple of the JHS line over the years. In the 3, we set out to keep everything that has made it a star in place while adding some tweaks for even greater flexibility and usability. The V3 is a force to be reckoned with in the high gain pedal territory. It convincingly and accurately breathes JCM800 tones with ease.